We often stared in amazement at Michael Bertiaux’s work in Kenneth Grant‘s Typhonian Trilogies. You will be pleased to know that Fulgur Limited‘s publication of Michael’s masterpiece Ontological Graffiti will include large sized, full-colour plates of many of these paintings. Further, many of these works will be fully explored, including details of their creation and ritual use.
“The Cabaret Noir Collective is going STEAMPUNK for our very first TIME TRAVELER’S BALL. Come dressed in your finery and enjoy a variety of performers including, but not yet limited to: Trapeze, Silks, Dancers, Visual Artists, Theater and Live Music.”
In a bold awaking from a short slumber, the infamous publisher Fulgur has completely updated their website. They are, as the expression goes, back with a vengeance, and have announced a (very) long-awaited title:
Michael Bertiaux’s Ontological Graffitti will be published later this year.
A heavy book (in every sense of the word), covering a very important period in the development of Bertiaux’s magical universe, OG will be Fulgur’s most ambitious title published to date. Over 400 pages of lucid text, fully illustrated in full-colour with Bertiaux’s amazing artwork, this title will cover the period between his return from Haiti and his eventual leadership in various occult orders such as the OTOA/LCN and the Monastery of the Seven Rays.
This book gets our highest possible recommendation, both in terms of it’s content, and in Fulgur’s planned presentation.
The restored and enhanced triptych version of Kenneth Anger’s Inauguration of the Pleasure Domewill play one night only (25/6/15) at the Max Linder Panorama in Paris. For those unaware, this classic occult film will interest Aleister Crowley/Thelema fans due to its content, as well as readers of Fulgur Limited’s recent Songs for the Witch Woman, as it features Marjorie Cameron as the Scarlet Woman.